Wow! Akane – what a July!
As we enter the second half of 2019 Akane Yamaguchi is at the top of the world rankings. First she won the Indonesian Open – arguably the best tournament in the world – and then followed it up a week later by triumphing in her home tournament: The Japan Open.
Akane has always been a formidable player with plenty of successes along the way but suddenly her achievements have become supercharged and she is unstoppable. Women’s Singles is an incredibly competitive discipline at the moment so what is it that is giving her the edge over her rivals?
Bizarrely I think it was failure that has spurred her on. Looking back to the Sudirman Cup, the crucial tie in the final was the Women’s Singles: Akane Yamaguchi against Chen YuFei. It was a three game battle with neither player consistently dominant. The Chinese crowd was very noisy; it was an intense and passionate atmosphere with huge emotional pressure exerted on both athletes. It’s been noted that at one point in the game Morten Frost described Akane’s play as erratic. That’s quite a brutal assessment, but the point is that in the end she lost.
We all know it’s a team competition but losing that three game match was pivotal to Japan’s eventual loss in the final. The Japanese team oozed togetherness and exuberance as they supported each other through the tournament so it must have been utterly devastating for them all not to get gold.
Up until recently Akane has always been known as a retriever, which often means that she is a defender. This is a very simplistic reduction of an elite athletes game; it’s quite a reactive style but she is great at covering the court and very quick to regain her base position.
However, things have changed since the Sudirman Cup…everyone had some time off before they got back to training. Time to recover physically and mentally but also an opportunity to take stock. Then came July and one of the principal events in the badminton calendar: The Indonesian Open.
It was a fresh Akane with an evolved style. Suddenly she was applying her explosive power to a more attacking game and the final against P V Sindhu showcased how effective this new aggression was.
Sindhu found her game being squeezed. Yamaguchi, above all, was being ferocious in her follow-ups. There were some ruthless flat drives, and midcourt smashes. There was more pressure applied in rallies. She began each game like a tornado and barely relaxed her focus. No longer content to react, Akane was taking the game and demanding to win.
It was a great victory. Sindhu played well but just couldn’t equal Akane’s fierceness; without warning Yamaguchi had stepped up her game.
So we come to the Japanese Open – her home tournament. Her progression to the final took in triumphs against Sindhu and Chen Yufei to set up a meeting with her compatriot Nozomi Okuhara. The scoreline of 21-13, 21-15 lets you know it was an emphatic victory. Again, this was the evolved style. Yamaguchi went toe-to-toe with Okuhara and it was her intensity allied to some awesome accuracy that meant she was able to withstand Okuhara’s propensity for lengthy rallies.
“I was worried I wouldn’t be able to win the long rallies, but I was patient, and whenever there was a chance to make a decisive shot, I was able to make the sharp shots,” said Yamaguchi.
I think it’s a good measure of Akane as a woman and an elite player that she took the worst kind of defeat and used it as fuel for progress:
“I wish I could’ve played this well in the Sudirman Cup final. The loss in the final made me learn and helped me improve.”
The road to Tokyo 2020 has a lot of twists and turns yet but momentum and big match experience counts for a lot. I want to end this piece by urging you to watch the film clip below – the happiness on Akane’s face is so infectious it is an utter joy to see.
If you enjoyed this follow the link to my piece about Nozomi Okuhara https://womensbadminton.co.uk/2019/04/23/nozomi-okuhara-racket-ready-for-tokyo-glory/ and also this one about Tai Tzu Ying https://womensbadminton.co.uk/2019/07/01/tai-tzu-ying-goddess-or-mortal/
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